The First Law
Since the 2006 publication of The Blade Itself, the first entry in the First Law trilogy, Joe Abercrombie has been intent on deconstructing the modern fantasy genre. In contrast to traditional (read: Tolkienesque) fantasy, the world of the First Law is characterized not by lofty ideals, but by politicking and the pursuit of power, all of which is more commonly referred to as “grimdark.” In this, Abercrombie follows in the footsteps of the modern forebear of dark fantasy, George R. R. Martin, he of A Song of Ice and Fire.
And, like A Song of Ice and Fire, there’s blood. Lots of it.
Red Country is a “standalone” entry in Abercrombie’s First Law world, set approximately 10 to 15 years after the close of the original trilogy. Red Country is preceded chronologically, both in publication and in plot, by Best Served Cold (2009) and The Heroes (2011). It’s not necessary to have read Abercrombie’s other novels to follow Red Country, but a number of the characters are recurring, so some familiarity is implied.
Red Country (2012)
Abercrombie continues in Red Country the experimentation he began with Best Served Cold, which is a revenge story, and The Heroes, which, in contrast to traditional fantasy, condenses its activity to a single battle that takes place over just a few days. (And in which is introduced the best-named character ever, “Stranger-Come-Knocking.”) Here Abercrombie tackles the Western genre, but the results are less successful than were his previous standalone novels.
The story opens with the destruction of Shy South’s family farm and the abduction of her younger brother and sister. Shy and her stepfather, the cowardly Lamb, set off in pursuit of the kidnappers. Meanwhile, on the geopolitical scale, the Union is in pursuit of rebels who have taken refuge in “the Near Country,” where Shy and Lamb reside. The Union employs infamous mercenary Nicomo Cosca, familiar to readers from previous novels, and his right hand and lawyer, Temple, to wreak havoc throughout the Near Country, ostensibly to root out the rebels, but really in anticipation of the possible annexation of the frontier. The main plots, of course, are destined to collide.
Red Country begins energetically, economically introducing Shy and Lamb and setting up their quest, the recovery of Shy’s younger sister and brother, Ro and Pit. Lamb abandons his passive demeanor and soon, in a (typically) brutal scene set in a saloon, reveals his capacity for epic violence. Readers familiar with the First Law world will find something…strangely familiar…about Lamb….
That sense of familiarity, which often works so well in Abercrombie’s novels, is less effective in Red Country. Nicomo Cosca, for instance, first introduced in the original trilogy, and employed to great effect in Best Served Cold, here becomes something of a parody of himself. Abercrombie uses Caul Shivers, one of the main characters of Best Served Cold, to play with the Western trope of the “showdown.” But Shivers’s appearance is essentially a cameo and, as a result, feels forced. My sense is that a host of other minor characters reappear in Red Country, but I’m not quite sure; the sprawling nature of fantasy, with its dense tomes and casts of thousands, works against me here. Readers will forgive me for an impression that might not be true. (But it felt that way.)
The plot is comprised of a variety of intersecting storylines that come together and are held that way mainly through battle scenes. That’s not entirely a surprise, given Abercrombie’s predilection for violence. It all feels a bit forced, though. In reading Red Country, I could never quite shake the sense that it’s the bridge to the next trilogy. It has the feeling of a placeholder: Abercrombie advances his geopolitics, as he did in Best Served Cold and The Heroes, but nothing definitive happens. A few new characters are introduced, for instance Shy and Temple, but few significant changes are made. There is some redemption and just rewards, neither of which I’ll spoil here by going into detail.
All of which raises the question: Should you read Red Country? If, like me, you’re an avowed Abercrombie fan, then by all means, yes. I’ve always enjoyed Abercrombie’s prose, which I’ll describe as “earthy,” and his dialog is, as always, snappy. Red Country will meet, but likely not exceed, your expectations, and it lacks some of the energy of Abercrombie’s previous novels. If you haven’t read anything by Abercrombie before, begin with his first novel, The Blade Itself, or his young adult series, Shattered Sea. But, by all means, reading something by Abercrombie.
- If you’re curious about Abercrombie but prefer less grim in your fantasy, try Half a King
- If (for some reason) you think Abercrombie isn’t grimdark enough, consider the sociopathic The Iron Wolves by Andy Remic
- For more traditional fantasy fare, see Scott Lynch’s Gentleman Bastards series, the third volume of which is The Republic of Thieves